12-8 String Quartets
I have added five more string quartets to the String Quartets page (numbers 20 to 23a). Listen to them here. Quartets numbers 20 to 23a (please forgive the quirky counting: I had already embarked upon number 24 which is a separate piece and will appear at some stage) are all written with the time signature…
Keep readingAbout the Ostinato Pieces
I have recorded some thoughts about the original Ostinato pieces and their modified orchestral versions: watch the video in the Lab Book.
Keep readingOstinato pieces revamped…
As I started to learn how to use Logic Pro, I experimented with orchestrating my earlier “Ostinato” pieces. I also had a play around with Logic’s “drummer” tracks, which had some interesting effects. The results, such as they are, can be heard by clicking here.
Keep readingPieces for String Orchestra
I’ve created a new page with some pieces I wrote for string orchestra in 2022, expanding slightly on the string quartets. These were the first pieces I wrote using a DAW (digital audio workstation) – I wonder if you can tell? Listen to them here.
Keep readingString Quartets and the Lab Book
I have been sorting and reviewing my pieces for string quartet over the last few weeks, and I have recorded some of my thoughts, ideas and the inspiration behind them in a series of videos which I have added to my “lab book”. (I am originally a biochemist, hence the idea of the lab book…
Keep readingNew compositions: String Quartets (2)
Here are the next set of string quartets. (The sound is generated from Sibelius using Noteperformer.) 1. 2. 3. 4.
Keep readingNew compositions: String Quartets
These are the first of a series. I have numbered them 1 to 4 and they broadly go together, as number 4 contains references to the themes of 1, 2 and 3. However they are not necessarily conceived as a series of movements in this order: even if they are played all together, the order…
Keep readingNew compositions: Orchestral Cycles
These two pieces are my first attempts to write anything for larger forces (with apologies to the brass, who are only represented by horns at this stage). They are based on the same idea of repeating lines in different combinations and, in some places, offset against each other. The greater forces allow for more variety…
Keep readingNew compositions: 4 Pianos
I am not sure how feasible it would be to play this, but I am interested in the idea of having four different lines coming from different directions, with the listener in the centre of all of them. Although all of the parts together very often create a discordant “wall” of sound, it is interesting…
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Julia Sherriff 